Sunday, 15 November 2009

They're alive!


Since the day when I first rented Creep Show 2 from the video store at the age of 12 I've been obsessed with an age I haven't even lived. But that only serves to magnify the mystique of this era long past. I'd gorge in movies like Evil Dead, Karate Kid and Scarface. My eyes would glisten as Bruce Campbell fights the living dead in one of the greatest horror movies of all time, or when Daniel LaRusso makes that final kick in the rising up story that has defined so many lives. The color, the style, the music, the cars, the clothes, the absence of cellphones, twitter and facebook are very befitting of my romantic soul. 


The whole sunny day, ice cream aesthetic is fantastic but there's also the fact that the 80's were the horror movie age. Some of the greatest horror movies were made in the 80's. They simply don't make them that way anymore, in fact the best they can do is just to remake these old classics, and for every time they screw it up so momentously a sinlge tear runs down my cheek. The mission is no longer to scare but to shock, the companies spit out these awful films, making they're money off of stupid teenagers who've been led to believe that this is what horror movies entail. 

These movies are derivative, ugly, full of stereotypes and just plain stupid. That encompasses about 90% of all horror movies produced today. And they'll continue to be produced because people just don't expect much from horror movies anymore. We are no longer able to sympathize with our protagonist but are rather no short of wanting to see them dead, that, is a huge failure from the movie business. Our protagonists are loudmouthed, unapologetic assholes, who you want to see die. Now take for instance, The Thing, from 84. Not in any part of the movie do you acctually see the whole monster, and our protagonist is an intelligent and likable man. You stay scared throughout, making up these versions in your head of how this horrible creation must look, all the while being scared for our protagonists life. Some things were basically better in the 80's. 
Neither can they make parodies like the Naked Gun anymore, or disaster movies like... shit, there's never been any good disaster movies. 



Some day I'll build my time machine. Taking Doc 's idea to a whole new level and attaching the flux capacitor to the rear of my skateboard. Hitting the streets of days long past with my Delorean DMC 12 before shooting Rutger Hauer in a nightclub for dancing with my 80's girl, but only after outmanouvering those hoodlum chumps on my nuclear powered skateboard. All in one day's work.



I'll later retire to my cabin up in north country where I would grow a beard and chop wood all day, wear my belt straps so high that my waistline doesn't exist and fight the living dead, human corpses possessed by demons from the lower circles of hell. At the sight of my mighty woodsman's beard they would not stand a chance, rotten flesh would prove no match when I had been cutting north country wood. My skin would no longer be that, but bear more of a resemblance to a tree's bark. I would light up a fire with my north country wood and perhaps read a good book, pontificate on recent events and maybe take a bath in my 80's bath tub. I'd later be shocked that there was no possibilities for cable TV in my Cabin, dumbfounded at how anyone would wanna live without it, I'd grab my skateboard and get the hell out of there. I'd have the time of my life though, if only for a short time.


Oh, and the music was good too.

This DJ set isn't really music from the 80's but at the same time it embodies the era so well for me. Anything the Valerie golden boys Outrunners does is gold, regardless.

The Outrunners - DJ set @ Razzmatazz



Friday, 13 November 2009

Ovaltine is good for your "soul"


If only things were made in such excess that we may live our lives without worry for the next day or the next coming of a storm. If only it were so. If only all music was produced by the same standards as Andrew Weatherall has put up with his work. If only it were so. 
Then we'd all be good for nothing ingreats wouldn't we? Well now, Ignorance is bliss right? I'm an eyeball witness at the scene of said ignorance and I plead guilty. I am able to tell you, however, that Andrew Weatherall is as awesome as the day is long (Definitions of the passing of time may vary). There's a fair amount of ingenuity to his stuff that I as an onwatcher am very unlikely to pocure from many musical artists these days. 

I'm realising that I'm largely prone to shower a great deal of praise on whoever I'm writing of, sometimes warranted, sometimes not, but I just gotta vent all of that love I got inside me I guess, so take it, or leave it! 
If you like needlessly long sentences that one was for you.



xoxo Chekov, Pavel Andreievich, Zulu and all us other motherfuckers off the deck of the Enterprise. Especially Zulu though, he's just full of it. Sexy ass coon.



Thursday, 22 October 2009

Herr Doktor


Brazilian futuristic know-how from "Herr Doktor" in this Futuremix delivered for Valerie. 
Herr Doktor's passion for all things retro strikes a very real note with me. He has a thing for old 8-bit cartridges of games for the old Nintendo and Sega machines. I guess we all look back to our childhood as something we want back every now and then.

Now synchronize your watches, turn on your flux capacitors and get ready to see the future! 



"Waka Waka"



Wednesday, 21 October 2009

Business means Business



"Pony Pony Run Run's" summer hit, Hey You, has been hit up with a really cool remix by "Crystal Fighters" just in time for the release of their first album. Adding in some guitar and some cool syntheziser-work they've dissected Hey You and made something very different, yet still really cool. It's also gotten it's very own video, in the form of a traveling commercial for southeast Asia.





On the subject of great remixes I also came upon a great remix of "The Temper Trap's" single, Sweet Disposition by Alan Wilkis. One that doesn't quite chop quite as mercilessly in the original tune as much as the previous remix. Alan doesn't let go of the feel of the original, instead he's able to add a new dimension to it. I like it when remixers are able to do that.



"In The Name Of Science!"


Tuesday, 20 October 2009

Prof. Huxtable Speaking



-"Dude", he said, "listen to this", he said, "it'll rock your world", he said. 


And it did, "Hudson Mohawke" is at a loss for a better word, just fantastic. FUSE is one of the most epic tracks I've heard this year, this, the year of Crysteena and Apollo. Everything Hudson Mohawke creates is amazingly well-produced and creative, with a kind of electro house deal goin on. Max Justus deffinately comes to mind. He's releasing his first LP on the 26th of October, through the same lable as Tim Exile, whom you can read of here. I for one have my copy pre-ordered, and I suggest you do the same, there's a T-shirt in it for you! You can order it here.


"Be Sure To Drink Your Ovaltine"



Monday, 19 October 2009

Robot Apocalypse


I made a short posting about "Mille" a while back. Now I would like to rehash the subject. With the release of new material only furthering proof of his godlike ability of producing grade A shit. Mille is a swedish electro chipcore behemoth, it's only a matter of time before they reach the broader stage and have the world in awe. What he has produced so far would make the likes of Daft Punk and Kavinsky green with robot envy. I'm sure I just stepped on a lot of feet there, but yes, I firmly believe that Mille has produced better music than Daft Punk. 

One day when the AI has taken over the universe, Crysteena will be their marching tune as they mercilessly slaughter all innocent organisms. I for one will welcome our new robot overlords. 




Sunday, 18 October 2009

An unexpected smile



If there is a god, he would listen to "Matamatics". Now of course the idea of an all powerful and all seeing sentient being is ridiculous, right? The Zenith track sounds a lot like "Danger", and that, can only be a good thing. But the real gems are their remixes of Imogen Heap and Drake, underlined by a mellow beat and a feelgood synth they're the kind of track that gets one through the day, and the night to an equal amount. The dance aesthetic is one proudly advanced into by Matamatics. Best I Ever Had disrupts all my senses who cry for stillnes and what commences can only be described as a white boys desperate attempt to dance.

Saturday, 17 October 2009

Miami horror


The "Miami horror" is finally reaching into the cookiejar and pulling out it's first single. It's that hit track that you've just been waiting for them to release, and now that it's here - with a beautiful video to boot - it couldn't have gone better. I can't help but feel they're kinda like a downsized version of Bag Raiders though, but I'll have to wait til the finished album hits the shelves sometime next year before I can really evaluate. 

On the subject of the video, I really think that director "Moop Jaw" did a fantastic job with it. Be jealous of their young bodies and minds, be awed by the fantastic scenery, be thrilled by the music.


Miami Horror - Sometimes 

Miami Horror - Don't Be On With Her



Tuesday, 29 September 2009

Afrika shox


I found this song a couple of months ago on "Keytars & Violins" (possibly the coolest blog in the world in terms of design, just sayin), and it's an excellent example of good experimental music. Apparently African folk song + house = true. And that's exactly the kind of experience I'd like to share here on this blog. "NiconĂ©" has done some really cool stuff in recent years, even cooler than Owl's with lazer eyes! Which in itself is contradictory since nothing is cooler than Owl's with lazer eyes. 

Discover


I never quite wondered what would happen if you were to mix "Vampire Weekend" with "Ra Ra Riot". I should've. Once again, this certainly isn't "news" but this little brainchild of Vampire Weekend keyboardist Rostam Batmanglij and Ra Ra Riot vocalist Wes Miles is some of the best electro pop produced this side of the universe. They produced an album titled the same as their project, "Discovery" which was released just before summer. This album is a discovery of an Electro pop universe not yet traversed with soundmixing as dubiously clever as the mindtrap that is sudoku (I really can't figure that shit out!) and vocals as unfitting as mustard on candycorn yet still as wellfitting as chocolate syrup on vanilla ice cream. Of course there still is that slight chance that you're allergic to the small residue of peanut in the chocolate syrup. 

Discovery to me, is a very interesting project and I'm eagerly awaiting whatever comes next, although six months of listening to their first album certainly hasn't put me off from looping it on my iPod some more. An auto tuned Ezra Koenig sets the mood for Carby, a great track out of an album where I acctually love every single song, I don't think that's ever happened for me since Cross was released two years ago. The cover of the Jackson 5 track I Want You back is probably my favourite track out of this fantastic musical achievement, it remains epic and ferocious despite it's slow tempo. I could realistically name every track on this record as my favorite though, I just love it that much.




Tuesday, 1 September 2009

XXX


Pornographic material for yo' ears, that's what my agenda is all about. "The XX" is a four-piece from London consisting of 18-19 somethings coming together to create this summers most beautiful album. It's hard to imagine something less timid than The XX's melodies, and that's where their musical genius lies, their quiet and soothing, yet somehow angry display of pure teen angst. There's alot of themes to do with moons and stars, as well as the silly ideas we youngsters have about unconditional love and our beliefs that somewhere out there is something for us to build our lives upon. They display a harsh reality though, one that says that we cannot always stay so naive. Yet they wish to linger in these beliefes as though they were unwanting of leaving their naivite behind, as if to say that having these dreams are just as crucial as the realisation that we cannot rely on them.


Now I'm sure many of you are aware of The XX's gothic homage to the vocal melodies of R&B and their back to back musical upbringing with "Hot Chip" and "Burial" for which they are most recognised. For those of you not aware though I'd like for you to consider the following fact. They are fantastic. They released their first LP about two weeks ago, and through strained repetiotion on my iPod I've come to the conclusion that there's not a single mediocre track on the record. Every track is as inventively gloomy as the one preceding it and the duets between vocalists Romy and Oliver are a struggle of beauty on beauty with the listener ultimately the winner. 




Sunday, 16 August 2009

Last Night in france


Boy, let me tell you, if the description "Hip-hop house through pink italo shades" doesn't pique any kind of interest in you, this artwork will. I can honestly say that I was awestruck by these pretty fuckin masterful pieces of artwork they had on their Myspace. "DW" is the name of the swedish duo I'm raving about, DW is short for Deadwood, but in fear of being associated with the wrong things they feel that the name DW is more electro, possibly more german. In spite of the project being 6 years old they have yet to release their first EP. Though with the help of Chicago based indie label Glam Boy, things are finally put in motion with a small promo video posted on Vimeo promising it will drop this fall. 


Italo Disco they call it, and Italo Disco it is, the best kind, the cheesy kind, the kind that makes you glad to be alive. While they've made some great stuff on their own, their very best creation is probably the colab with french counterpart "Daroc" on the track, Hypnotic France.
Following are some great snippets of sound, DW originals and DW remixes alike.

Edit: I just came across this really cool online drum machine with the DW logo on it, check it out! Ronwinter Drums


While on the subject of Daroc, I'd like to talk about a track that's been haunting my dreams and terrorising me to the point of a breakdown. In a good way. By the time the song reaches it's literal climax, man, It just makes me happy. It was featured on the "Boxon Makes Me Happy" album released earlier this year, an album you should buy right away, unless you're a chicken-wuss! Chicken-wuss! That's right, I'm resorting to the insults of a seven year old, I'm also resorting to mocking my few readers, oh well, here's the track.